This dawn is the first the world has seen. Never before has this pink light dwindling into yellow then hot white fallen in quite this way on the faces that the windowpaned eyes of the houses in the west turn to the silence that comes with the growing light. Never before have this hour, this light, my being existed. What comes tomorrow will be different, and what I see will be seen through different eyes, full of a new vision.
Tall mountains of the city! Great buildings, rooted in, raised up upon, steep slopes, an avalanche of houses heaped indiscriminately together, woven together by the light out of shadows and fire — you are today, you are me, because I see you, you are what [you will not be] tomorrow, and, leaning as if on a ship’s rail, I love you as ships passing one another must love, feeling an unaccountable nostalgia in their passing. (227)
‘I should not like my dear sister to know, but I am reading the Plays of Ibsen, and I was finishing Hedda Gabler.’
Mrs Bradley nodded comprehendingly.
‘And of course, Ibsen being What he is, and the light in my room being Quite Invisible from my sister’s room, and our having agreed From the First to consider candles a Separate Item so that neither of us need make the burning of them an Affair of Conscience as, of course, we should be obliged to do if they came out of the housekeeping, I read on until past ten o’clock.’ (210)
An incredible passage about the ‘naughtiness’ of both reading late and Ibsen and the constraints on both that the economics of housekeeping can produce, if not carefully negotiated. Also, the wonderful use of capital letters.
Not until now do I realise how much luck it is to be born at a time when we do not have to negotiate the cost of a candle to read as late as we would like…
Mitchell, Gladys ( 2014)The Devil At Saxon Well. London: Vintage Books.
Cora rarely thought of the boy she had killed. She did not need to defend her actions in the woods that night; no one had the right to call her to account. Terrance Randall provided a model for a mind that could conceive of North Carolina’s new system, but the scale of the violence was hard to settle in her head. Fear drove these people, even more than cotton money. The shadow of the black hand that will return what has been given. It occurred to her one night that she was one of the vengeful monsters they were scared of: She had killed a white boy. She might kill one of them next. And because of that fear, they erected a new scaffolding of oppression on the cruel foundation laid hundreds of years before. That was Sea Island cotton the slaver had ordered for his rows, but scattered among the seeds were those of violence and death, and that crop grew fast. The whites were right to be afraid. One day the system would collapse in blood (206)
Loved this book.
[Whitehead, Colson (2016) The Underground Railroad. London: Fleet.]
An inventive genius would be useless in the City. For the City produces nothing, and creates nothing. It is the great go-between of the world…anyone who contemplates the City as a profession…will not have to face the competition of the flower of his contemporaries, who will be scrambling for briefs, teaching unruly forms in public schools, or rusting in the deadening atmosphere of Government offices…From this comfortable fact he may draw consolation if he does not carry much top hamper in the way of intellect…if he is to prosper in the City, according to the City’s notion of prosperity; that is to say, to put the matter at a modest valuation, if his income is to express itself in four figures (46).
–‘Prospects in the Profession: IX. The City’ Cornhill Magazine, 14, 1902-03, p 623. (Taken from A Vision for London, 1889-1914: Labour, Everyday Life and the LCC Experiment. Susan D. Pennybacker (1995) London & NY: Routledge )