Tag Archives: stone

Stone, Flowers and Violence: Dirleton Castle

Dirleton Castle… Authority and conquest built in stone. Material embodiment and defense of a way of life and thought. Ruling centre of a community. Many of the remaining old Norman castles here in the UK stand stark and grim and square — imposition of French feudal aristocracy on earlier versions. They are squat and violent and empty of all but petty dead ambition achieved through bloody force. Dirleton castle, however, has notes of true grace overlying this — I wonder what it grew into and just how it related to the surrounding communities.

The prison and ‘pit’ for lower-class prisoners are probably the best indications, yet castles remain overlaid with a touch of gothic romance despite my best intentions, and I keep visiting them in a forever unfulfilled desire to explore Mervyn Peake’s Gormenghast. Still, had I been alive at the time, I have a feeling I would have been all for burning them down as a peasant with ambitions for a better life and the ability to read.

There is also a lovely garden here, which contains the longest herbaceous border in the world. A rare Scottish sunny day showed it at its best.

Dirleton Castle

Dirleton Castle

Dirleton Castle

Dirleton Castle

Dirleton Castle

Dirleton Castle

Dirleton Castle

Dirleton Castle

Dirleton Castle

Dirleton Castle

Dirleton Castle

Dirleton Castle

In looking this up I was troubled that the crown has re-established a barony of (Fulwood and ) Dirleton — overlaying my images of picturesque ruins of violent stone with a very different, modern kind of violence and power. It ties together efforts to rebuild a monarchy in Brazil to Israel’s devastating invasion of Lebanon (‘Peace for Galilee War?) to hotel management in South Africa to Florida notary public-ship to Mozambique, and my only reaction continues to be, if you will excuse me, what. the fuck. Because Le Carre did not, apparently, invent this. An abbreviated version of the the bio from the barony’s website:

Camilo Agasim-Pereira of Fulwood & Dirleton, The Baron of Fulwood & Dirleton The Feudal Lord of Dirleton, Lord of the Manors of Colemere, Fulwood, Gresley, Repton, Morpeth Castle and of the Hundred of Gresley and Repton, was born in Brazil, and educated in Brazil, USA and Israel.

He served in the Israel Defense Forces, IDF Between 1981 to 1983, was discharged with Honours and mention in dispatches, was mentioned in dispatch for valour and was an active reservist between 1983 to 2003. He was awarded a medal for operations in Lebanon, during the “Peace for the Galilee War”. After Military Service, he served as an assistant community envoy and spokesman in the Israeli Consulate in Philadelphia. Late on he was also a member of the Israel Police and Security Forces.

He has a Degree in Hotel Management, his last position as Hotelier, was Operation Manager at The Sun City Complex in S. Africa one of the largest and most luxury hotel resort in the world…

Since 1993 The Baron of Fulwood & Dirleton, holds an appointment from the Governor of Florida as Notary Public at-large for the State of Florida…

From 1993 to 2000 he was acting Hon. Consul of Mozambique in United States, the appointment was made permanent from 2000 and was recognized as a permanent appointment by the USA State Dept. in 2001 and server until 2006.

There is a charitable trust associated with the position, has as a mission

The promotion of Monarchy as the most stable form of government and the understanding and exchange of ideas among people of all races and creed. The Barony of Fulwood Trust host a website dedicated to the restoration of the Brazilian Monarchy at: www.correioimperial.com and www.monarquia.com.

Is this for real I asked myself. The armorial register and Burke’s Peerage supports its reality, though not a hint of what he might have done for Scotland to gain a barony. I have some ideas.

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Antediluvian Quarries, Peak District

We climbed stone stairs no one had tread regularly for a very long time…

Matlock Walk

we were off our path but we didn’t yet know it, because we were on someone’s path — though no one in the past few days perhaps. We followed faint traces to climb through heat and humidity, nettles and brambles stinging against our legs. Drawing blood. The valley opened up beneath us and we entered into pine forest — the first we had been in this trip.

Matlock Walk

A lovely, open pine forest scenting the air and full of light, not the close packed replacement and industrial forests. We had strayed from the way, but it didn’t matter because we found this.

Matlock Walk

A beautiful, eerie landscape

Matlock Walk

where stone-built walls and quarried stone faces mingled, all of it swallowed by moss and pine needles and trees so the natural world and the human one were almost indistinguishable.

Matlock Walk

Great slabs of stone, whether tumbled down or piled up almost impossible to tell, alongside great chimneys of rock.

Matlock Walk

Matlock Walk

Ferns of a green I still find hard to imagine, coming from the desert. The green of my dreams as a little girl.

Matlock Walk

Enormous mossy stones in piles

Matlock Walk

Sunlight streaming down through the trees, and everywhere a verdant landscape spilling across the distance. And us there, up above it in this place of human effort and labour swallowed up by the forest. This lonely place of memory now, and stillness.

Matlock Walk

Happy accident that brought us here. We followed this track back down the hill, and then found our way.

Matlock Walk

Of that more tomorrow…

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Art, gods and stone

Creation awes me, the act of it. And what we have the capacity to create. And both the time span and scope of humankind’s run on earth. I love how things are so much the same and yet so very different…we all love, but the ideal of love is different. We all fear, but the form of our fears is different. We all speak, but language is so different, and I wonder how much we are shaped by these things, how much of them we shape, how the shaping happens.

I went to the British Museum the last day in London, I’ve been there before but every time I go I see new things that I fall in love with, that remain in my memory. And this visit I found several panels like this, that I know I have seen before but never loved

Figures drawn from stone, once alive, and now disappearing. And they linger as they go, they would have been already gone if they had not been stolen. And to me their true beauty lies in this return, this state halfway between sculpture and stone…they remind me of Michelangelo’s slaves escaping from the marble, unfinished. But the slaves are an emergence and these represent a death and I find both hauntingly beautiful. And they fascinate me with the confusion between rock and flesh.

The British Museum is overwhelming of course, after a short time the mind stops taking in things really, overburdened with beauty in glass cases. There was also a stunning display of American prints and etchings from Hopper to Pollock…I love black and white drawings and etchings as well and their collection is fantastic. Go see it if you can.

The other things that stood out this trip? Hawks. I love them in their beauty and purity and unconscious cruelty, they are ultimate predators and represent freedom in a way that few other animals can…and I found this

from ancient Egypt, and this:

from ancient assyria, and this

er…from China perhaps? China I think, or possibly Tibet. And each haunting in its own way, showing something deep rooted to be found across such space and time, something profound. I’ve been trying to write it but my words erase its profundity so I shall just leave it for the now.

Still, I have never been to the British museum when the sun was shining, and that itself was beautiful, the architecture is cold and neo-classical, but the light made it beautiful.