Tag Archives: feminism

Frida Kahlo on the streets of LA

Frida Kahlo is an amazing figure, and has become an icon of feminism and revolution… so a quick review? Born in 1907 as Magdalena Carmen Frida Kahlo y Calderon in Coyoacan on the outskirts of Mexico City, she was  3 when the Mexican Revolution  broke out. She suffered from polio, and then had her body almost entirely broken  in an collision between trolley and a bus. She wrote “Feet, what do I need you for when I have wings to fly?” Yet she lived her life in almost constant pain, of body and I think mind, you can see it in her paintings…

frida-kahlo

She married muralist Diego Rivera, and they had an incredibly stormy marriage of passion and mutual infidelity, with Frida a lover of both men and women. Of him she said “There have been two great accidents in my life. One was the trolley, and the other was Diego. Diego was by far the worst.” Their politics were radical, and I think almost everyone knows that Trotsky stayed with them after he left Europe for Mexico. They are a couple found everywhere on LA’s streets

The above is off of Glendale just round the corner from my house, one of Diego Rivera’s most inconographic images alongside Frida’s… her face.

Frida Kahlo

During her lifetime, Frida was too often known simply as Diego Rivera’s wife, but she has come into her own, and her face is found everywhere.

Frida Kahlo

I found these three images of her in one day of biking the city to a distant meeting and back, the above is on Venice Blvd, and below on Pico (though the city has painted over almost all of the graf on Pico…sadness! Still, I’m glad they left this one)

Frida Kahlo

My favourite I think. It is nice to look up and suddenly see her…there are many more of course. And the quote I’d like to leave off with, having known the feeling?

“They are so damn ‘intellectual’ and rotten that I can’t stand them anymore….I [would] rather sit on the floor in the market of Toluca and sell tortillas, than have anything to do with those ‘artistic’ bitches of Paris.” [on Andre Breton and the European surrealists]

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Louise Bourgeois retrospective at MOCA

Go see it, it’s brilliant.

And I know great art when I see it (though I also know that’s a bit time-worn as phrases go). But she truly is great. Generally speaking I don’t go much for the art of the so desperately personal, but her work is incredibly moving and provocative and it hits you in your stomach where you carry your most visceral of emotions…for decades it has circled and circled around themes of the body, love, family, sex, a traumatic childhood of male patronage and infidelity…it repeats shapes in different forms that skate a continuous line between masculine and feminine, beauty and horror, being and becoming…it comprises an astonishing number of mediums that are all exquisitely carried out: sculpture in wood and plaster and latex and stone, collages with fabric and bits and pieces of everything including orange peels, sewn figures with gaping holes, installations, paintings and drawings, the written word.

They are a strange mix of the tender and the repulsive, sometimes beautiful, always provoking, and so many with a strange edge of terror and violence that trickles down your spine. We both love spirals, and she says of them that they are attempts to control chaos and also freedom, and asks whether you find yourself in the vortex or on the periphery? She says she hates men obsessing over their penis…that it is not the appendage she dislikes, but what it is attached to. I love wit, and her art has both wit and raw emotion in an uneasy balance that gives it power.

No pictures can do the pieces justice at all, for her more than most people I think. But my favourites were the personages and the installations, particularly the red rooms. The personages look like this (This picture from the New York Times)

There were others that were blocks stacked one upon the other…I found them eerie and beautiful and they made me think.

The red rooms, on the other, scared the hell out of me. Here is what the parent’s room looks like, hard to know where the terror comes from I know, even when you’re standing in front of it. Perhaps that is why I like it so much

They are surrounded by a sort of a spiral made by doors, I won’t even begin on the symbolism of that! You can only peek into it, and the parent’s room you can really only see through the mirror, and it is red…and it should be peaceful with a couple of toys on the chest at the foot of the bed, but there is a looming shadow over the pillows and I don’t know, but it was terrifying. The way The Shining was terrifying. The children’s room was overtly terrifying with entwined sculptures of limbs cut off at the elbow, you stare at it through a window in one of the doors, children have no privacy.

I liked the spider as well…nothing represents horror better than a giant spider with long spindly legs ending in rather dangerous looking points, and yet they are oddly protective, maternal…

Go see it if you’re in LA.

There has been a police helicopter circling near my house for two hours now. I hate them. If I were an artist I’d be obsessed with helicopters…such brilliant technology that we use primarily to hunt and to kill.

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