Tag Archives: Arizona

New Year

New Year’s was golden this year, spent at home in Tucson with Mark and Dan, Mum and Julie. We had my favourite soup and biscuits and pumpkin pie and wines still and sparkling. We talked through the new year and then Mum and Julie left the three of us still talking until late late.

Our last night was golden too. We bought mum a record player for Christmas, and so sat around playing old records. Some of them are mine, bought in LA years and years ago, the others we aren’t quite sure where they came from. I remember buying the songs of the Grand Ole Opry (the amazing Dolly Parton singing Mule Skinner Blues), but did I buy Don Williams (Amanda is one of my mum’s all time favourite songs, whether Waylon’s or Don’s — possibly because she too decided not to become a gentleman’s wife) and Jimmie Rodgers (In the Jailhouse Now) and Eddie Arnold (oh man, Cattle call, amazing)? There were three polka records, they must have been Ricki’s, she lived with us for a while but long before we knew her she owned a Polka bar in Chicago. She told me once she left because the mob requested the use of her basement. Those were pretty terrible, well, the one we listened to. Yet at the same time they sounded so much like the Mexican music I am more familiar with and do like, I couldn’t quite say why I prefer it, I kind of want to puzzle how they connect. I’d have to listen to the old Polish records more I guess. Then a couple of old falling apart albums that must, must have belonged to my grandfather I think, and come when my grandmother came to live with us. Ancient foxtrots. La Marseillaise. Tchaikovsky.

I can’t remember what else, but it’s been a long time since I just sat around and listened to things, almost all of them a surprise.

Family and walks in the desert and good food and sitting around talking and lots of reading, music, Rogue 1, El Corral, roadtripping and dreams of gardening in space…the days I will remember. The haven that still remains for us, which I am so thankful for in this world where that remains for so few.

I took pictures of the best covers, but lost my phone on the flight home. Gone too are the pictures of the Tucson Botanical gardens, cacti, the hommage to Frida and Diego’s Casa Azul, me and mum being a two headed butterfly.

I took no pictures in Nogales, where everything has changed. It was almost empty, making people less anonymous in the streets. Tourists now too afraid to come here. The wall is not as big as Tijuana’s I don’t think, but still too big, rust red, dividing people from their people, animals from their habitat, water from its dispersion, migratory birds from their pathways and often their lives. Most of the little shops I remember have closed down, and it is weird to miss the tourists but you can see how much harder life is in people’s faces. It is weird to miss the hordes of kids selling chiclets, but I know their absence isn’t because kids and their families are no longer driven by poverty to make some extra money, but because there is no one to be generous. I wonder how they survive now. There are four casinos that give free meals to get people in the door, the shop owner I was talking too said it with anger, because people eat and then gamble away their money because there is no hope of anything else. There are more pharmacies than I could believe possible, though that’s the reason we were down there I confess, I had forgotten my prescription. I suppose business will pick up more once the Republicans have succeeded dismantling Obamacare, we have a tradition of buying medicine in Mexico. Dental care. Glasses. Another shop owner (from him we bought tiles) pulled out his wallet to show us ticket stubs from the Tucson Convention Centre going back to the 70s. For some reason the only one I can remember now is Deep Purple.

I finally bought a ceramic parrot, the kind I have wanted since the first time we ever went to Nogales, decades I have wanted one. Now I want two more, so they hang from my ceiling like they still do in one or two remaining stores, a glad cascade of wild colour uncaged.

I have settled for colour and reminders of warmth and home instead of gambling I suppose.

Last year was so bleak, I had to sit and reflect on it in a blog for Verso, and it hurt to do it. 2017 doesn’t look much better. Still the struggle goes on, I’ll be part of it from Manchester now, have to find the best way to plug in and do what I can though all I feel is tired. Have to finish my book rewrites. Have to write more articles. Have to finish book one of the trilogy I have in mind and a little on paper. Want to read so much more. Have to find a little more hope that words can have any impact at all, or marches, or letters, or protests. Have to exercise, eat better. Have to get to know Manchester. Have to fill into my new job, find my new directions. Have to stay in touch better, respond more quickly to emails.

Have to spend more time with the people I love.

Those are the times that are golden.

Annie Box and William Curly Neal: Race in Early Arizona

While at the Triangle L ranch in Oracle, I picked up Annie’s Guests: Tales From a Frontier Hotel by Barbara Marriott. I love local history — this emerged out of an oral history project of the Oracle Historical Society. People of color have been erased almost entirely from many histories of the west, so it was brilliant to find them here front and centre in the history of the Mountain View Hotel. First a couple views of the hotel itself as it once was.

Mountain View Hotel launched in a blaze on 19 Feb 1895, with champagne, music and dancing until morning. The Neals built, owned and ran it  from 1895 until 1950s, although it experienced its heydey in the 1920s. For the first time I can almost imagine a kind of golden age in this building owned and run by a couple who were each of mixed African American, Cherokee and European heritage, a place that attracted visitors from around the world and became the social centre for the entire area.

The building of it took over six months, and used over one thousand adobe bricks all made on site. They had it stuccoed and painted red, with white lines drawn on to make it look like brick. It’s high ceilings were covered with panels of pressed metal. Wood lined its interior. The luxurious first floor rooms each contained individual fireplaces trimmed in black and gold. The second floor rooms had individual freestanding wood stoves.

The Mountain View once consisted of two building connected by a walkway to form an L. The main house with its bedrooms and terraces, where visitors coming for their health and hope for healing of TB often slept in the summer, is now First Baptist Church. I’ll end this post with the picture of the present, it makes me a little sad. The second building contained the kitchen, dining room, and ballroom Additional shacks and bunk buildings for staff, corrals and stables surrounded them, all torn down in the 1960s.

Annie loved events — they held picnics, cardgames, dances, shooting competitions. They built a nine-hole golf course – the grass was lubricating oil mixed with sand. They built a croquet court and outdoor dance pavilion. Small wonder it became the social centre for Oracle, Mammoth, Florence, Tucson. From 1895 to 1920, they hosted visitors from 45 states and 12 foreign countries including Russia, China and Australia. My favourite, though, was Lautaro Roca from Camp Number 2, or “Camp of the Horribles” in Tumacacori (22). I never had heard that, though I’ve the Mission at Tumacacori has given me the terrifying creeps since I was a toddler.

By late 1920s, Biltmore and others began a building spree of luxury resorts and hotels in Tucson & Phoenix, which put an end to many of the glory days of the Mountain View. But I wish I had been able to stay there, even afterwards.

So to turn to the main characters — Marriott’s book looks at six different people who lived or stayed there, it was a nice way to organise the book. William Curly Neal (1849-1936) arrived in Tucson in 1878. He was working as the driver of an Army Supply Wagon – to avoid Indians he had come by back trails, stopping at Camp Oracle. After leaving the army a year later, he would decide that Oracle would be a good place to build.

Born 25 March, 1849 in Tahlequah, Oklahoma, Curly was part of the Cherokee Nation. His father was of African descent, and his mother Cherokee and a survivor of the Trail of Tears. Mother and son left Oklahoma after the murder of his father. They moved in with two aunts, but when his mother died he ran away from home at the terrifying age of seven. At nineteen he met Buffalo Bill Cody (before he was Buffalo Bill and just William Cody, aged only 22). Neal was shining shoes at the railroad station where he had long worked and survived with odd jobs — the brakemen called him Curly for his long black curling hair (his Indian name was Sitting Bear). He left with Cody as an aide, became a fellow scout and friend. They surveyed land, killed buffalo for train barons, scouted in Indian wars, and Buffalo Bill would often show off the scar along Curly’s head from a near deadly bullet.

The West has such a tangled history of race, exploitation and conquest.

In Tucson Curly took a job as a cook at the Maison d’Arcy restaurant, joining a tight-knit community of African Americans in Tucson (Marriott notes there were only about 150 in whole of Arizona territory). He started his own business digging cellars. He opened Coral Stables/ Opera House Library Stable on Pennington which became his central business, earning him enough money to make loans to other members of the black community. He started running a stage line from Tucson north up to Shultz, Oracle, Mammoth and the surrounding mines, then won a mail contract for Tucson-Oracle-American Flag Mine (there is nothing there now where once sat an great tent city), this expanded to Manleyville, Southern Belle mine and Mammoth as miners and their families settled the area. Curly also contracted with the mining companies to move ore and water and wood for mines. His most dangerous business hauling bullion from Mammoth to Tucson. His wife, Annie, often rode shotgun.

William ‘Curly’ Neal:

Another picture from the book:

While in Tucson he had become friends with Hannah and Wiley Box. Hannah’s father a German, and mother Cherokee,  like Curly’s mother a survivor of the Trail of Tears. Wiley’s father a white English physician, and his mother from New Orleans of African descent. Their daughter Annie was born on the Cherokee reservation on 8th January, 1870. Hannah was only 16. Wiley was mostly a gambler and prospector.

In Tucson Hannah ran a boarding house where Curly stayed, before marrying her daughter Annie. Annie’s sister Josie remembered he always smoked the best cigars, carried a silver flask, and always had a bag of candy for her.

When they married in 1892, Annie was 22, and he 43. Despite the difference in their ages he was already her third husband.

Annie Magdalen Neal (1870-1950) was pretty damn amazing.

She had been educated at St Joseph’s Academy until she fell ill at the age of 14 — she remained a devout Catholic. She played the piano and composed her own tunes, two of which were published (though now lost, which I find so tragic). The Oklahoma March had been inspired by their family’s journey to Tucson when Annie was only 9. They moved like so many others for health reasons, after her father came down with yellow fever. She remembered thirst the most, and then the cold — they couldn’t light fires for fear of (other) Indians. When they arrived in 1879, the total number of African Americans in the county was only 57.

She first married James Lewis. A soldier, she went with him to where he was stationed in Yuma. She was there when her parents were put in jail, accused of stealing $1000 from a man named John Bryson. Later they were charged with attempting to poison Bryson on the testimony of another man who claimed they had hired him before he fled to Mexico. Both were found not guilty. Curiously while in jail, Wiley wrote letters to Lewis, not his daughter. After gaining their freedom the couple went to Mexico themselves, returned with daughter Josephine. In the meantime Annie had left James and married William Easton in 1887.

Curly had also married before, to Jesus Leon in 1881. The match between himself and Annie was pushed by her mother, who promised them gifts of land in Oracle.

Thus they bought land in Oracle, and Hannah  deeded her daughter a number of acres.  Annie, like Hannah, acted as a midwife, and had authorization from Catholic church to baptise babies. Curly built hotel as a business venture, but also to help Annie emerge from the deep depression she suffered after the death of her mother in 1894. It succeeded.

Before Oracle’s first church was built, Annie arranged from priest to come once a month, and they held services in the hotel’s recreation room. They had also adopted her sister Josephine, who was only 6 yrs old at Hannah’s death. Wiley lived until 1913. At his death he had been staying at an old-club in Tucson, on Court st between Pennington & Myers that catered to black men (I wonder what is there now…). A side note — he had been drinking for days, apparently, and in a stupor when his friends wrapped his legs in burlap, added kerosene and set them on fire as a joke. I assume they were only slightly less drunk than he was, only taking him to hospital when it became clear they wouldn’t heal on their own. Wiley died of the burns. On his death certificate Annie stated he was white – there is, of course, no way now to know why. One possible reason was to ensure he could be buried in the cemetery without problems — cemeteries in the area were often segregated. Annie saw her father off in style though, with a procession of 5 automobiles.

Marriott notes an increase in racism — and while I am doubtful there ever was a time in Tucson where racism was not a problem, it is a good reminder of how things actually got worse after the turn of the century. Jim Crow only really arose during that period, though Marriott casts all the blame on the increasing numbers of wealthy East Coast families in the area who after the 20s stopped including the Neals in their social visits and functions, who opposed Curly’s attempt to legally homestead the area their cattle had long been grazing, and who would destroy his business through a suit claiming he was collecting too much local wood.

But enough about racist white folks. Another picture of Annie, also from the book:

She used to have shooting contests with Buffalo Bill and his men when they stayed at the hotel. There is nothing I do not love about her.

A little more on race relations can be found in the chapter on Elizabeth Lambert Wood, an author who left a wonderfully detailed journal. Originally from Portland, she clearly came from a family with some money, and her husband was a doctor (she continuously refers to him in the diary as Dr Wood, most curious). They came to stay at the Mountain View when her husband fell ill, then bought land and stayed there most of the year. The Neals are hardly mentioned in the journal entries found in the chapter, and while she was clearly on friendly enough speaking terms with various African American and Mexican residents in Oracle, the four women with whom she seemed to plan events and gatherings were (wealthy) white women from the principle ranches. In November of 1929 she wrote the following entry in her journal:

Oracle put on its annual Indian Pageant last night. We held it in the park, in a hollow where the main village road turns toward Cherry Valley. We parked our cars on the hill overlooking the hollow and turned on our lights. We lit up the area like a stage. We were able to get some Indians to come from New Mexico and Flagstaff, but we didn’t have enough. We used local boys to add to the tribe. Unfortunately, the weather was cold and the gunny sack outfits we made for our local boys offered little protection from the wind. We tried to make them look authentic by painting their bodies. Mike Munoz, one of the children, complained loudly every time they dipped the brush into the bucket and rubbed it on his skin. I thought he looked and sounded like the real thing. (113)

I confess I find that entire passage astonishing. Written on land so recently belonging to the Apaches and taken by deadly force. The idea of importing Indians (not Apaches I would guess) for entertainment, and painting Mexicans (ignoring their own mestizo heritage) is mindboggling. The costumes are as well. I wonder what  Annie and Curly thought of it. I wonder how this connects to minstrel shows, I wonder how people explained this kind of appropriation of the cultures of those they believed inferior, and how these events contributed to such dynamics. Honestly though, I cannot fathom it.

A few more tidbits from the chapter — the entry about hearing that Arizona had been admitted into the union, and wondering if anything would change. It seemed that nothing really changed, at least not for some time. her own story is fairly tragic, her husband died fairly young, her first son was killed in action in WWI. Her daughter had severe post-partum depression after the birth of her first child, and drowned herself on the return journey from Europe (her husband had tried to cheer her up). Elizabeth Wood thus raised her grandson, only for him to be killed in action in WWII. She gave a great deal to the town, sharing her wealth as it were. She had a public well dug, paid for the building of a community playground, donated stained glass to the united church, and before her death donated her Southern Belle ranch to the Salvation Army as a youth camp.

She also writes about Jane Russell visiting the Linda Vista Ranch, having publicity shots taken at the Cañada del Oro. The ranch was owned by Goerge Stone Wilson, and Harold Bell Wright had stayed there to write, and then film, The Mine with the Iron Door. That would eventually be partly what brought Buffalo Bill to file mining claims there, and Wood knew his wife, but that is all for another blog.

Some final views of the Mountain View and all the people who lived and worked there. I love this photo, and only wish it were a bit clearer.

A final view of the hotel as it looks today, its outbuildings torn down, stripped of its balconies, and incorporated into a Baptist Church — makes me a bit sad to be honest.

Mountain View Hotel

[Marriott, Barbara (2002) Annie’s Guests: Tales From a Frontier Hotel. Tucson: Catymatt Productions.]

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Days at the Triangle L Ranch, Oracle

The Triangle L Ranch — our getaway for a few glorious days in Oracle, AZ.

A dirt road off of the 77, a sign of welcome:

Triangle L

The company was quite sparkling, the breakfasts absurdly varied and delicious (I mean, we had our first but not our last taste of clafoutis), everything wonderful. Our casita — the guest house, in a rare ray of sunshine:

Triangle L

I got no pictures that did justice the small but quite exquisite main room, but the sleeping porch came out all right — the perfect place to escape the summer night’s heat.

Triangle L

On the side table sat a couple of books on local history, and of course I read one of them. Annie’s Guests: Tales From a Frontier Hotel by Barbara Marriott. It mostly looked at Oracle’s Mountain View Hotel, built and run by Annie (Box) and William Curley Neals, who were both of mixed Cherokee, African American and English ancestry — a fascinating discovery, and one I shall write about more. But there was a chapter on William Bloodgood Trowbridge who once owned this ranch, so I shall start there.

He came from East Coast money, and arrived in Oracle on what seems a most slender whim — when hunting with friends on the other side of the country they became fed up with their luck and headed out west without even going home for a change of clothes first.  Money, like I said. He decided to stay on a while, and returned regularly (staying at the Mountain View of course). When it came up for sale, he bought the Triangle L in 1924. It had been built for Mrs Westry Ladd, another woman of East Coast money whose family had built the Baldwin locomotive engine. This began its life as a place of privilege with its wooden floors covered with Navajo rugs and comfortable antique furniture.– but it feels a surprisingly modest, comfortable and welcoming one.

Most of the chapter, however, is about Trowbridge’s rather tawdry love affair — I am a bit more judgmental than the author I am afraid. It seemed Trowbridge had some kind of understanding with the daughter who with her mother managed the ranch — when he broke that informal engagement to marry a Miss Smith from Edinburgh, he moved them to another ranch in the area. The marriage did not appear to be a happy one, and he commenced an affair with a woman named Margaret in Tucson. While he burned the letters he received from her, she failed to burn his. They are a rather depressing look into a relationship where you really hope she was just in it for the money — Trowbridge, despite all protestations of love clearly had no intention of leaving his wife. His parsimony is often hinted at, and in fact he asks Margaret to keep an accounting of her expenses and the money he gives her so he can review it. It all goes wrong, he is blackmailed by the family, the wife finds out (though she seems to have known much all along).

Not very interesting but for the fact that somehow, some way, the packet of his letters to Margaret were found in the disused well on the ranch itself — I imagine it must be this well, right next to our temporary home.

Triangle L

Behind it you can see the main house — I realise I failed to take a good picture to give a sense of the whole, there is a wonderful old picture on the website, though this view is just as you enter:

I did get a few pictures from inside, though they fail to do it justice. It is a perfect kind of house to my mind: thick adobe walls, wood floors, dark stained vigas and wood ceilings. What Marriot called the 360 degree fireplace, with three openings all leading to a central chimney shaft. From the dining room

Triangle L

Triangle L

The sitting room:

Triangle L

A most wonderful enormous screened living room/sleeping area/porch:

Triangle L

In addition to the extraordinary breakfasts to be enjoyed in the main house, the ranch also now serves as host to artists’ workshops, a wonderful little gift shop and  a very large sculpture garden, primarily showcasing constructions of salvaged metal and glass, but plenty of other recycled materials here too:

Triangle L

Triangle L

Triangle L

Triangle L

This maze had music set off by motion detectors — some rabbits had triggered it while we were still some ways away, making it all a bit creepier than it should have been…

Triangle L

Pictures did not do this bird justice, nor its pair across the path with plumage of old shovels, I loved them both:

Triangle L

As I did these robots (most robots I confess):

Triangle L

This made quite an impact

Triangle L

Music Tree!

Triangle L

A beautiful new take on bottle trees:

Triangle L

Sabretooth tiger.

Triangle L

Triangle L

The country surrounding the Triangle L — hidden gullies and rocks of granite, dusk falling:

Triangle L

The old corral:

Triangle L

A wonderful place to stay and explore the surrounding country — Oracle, Buffalo Bill Cody’s mining claims, beautiful hikes through country teeming with wildlife and the most wonderful views, the Biosphere 2. All coming up.

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Enrique Salmón: American Indian Stories of Food, Identity and Resilience

13226644I came to Enrique Salmón’s Eating the Landscape through The Colors of Nature, this covers some of the same territory, but I learned even more about the Colorado Plateau that we had just been driving through. The landscapes of my baby-self, and so many of my dad’s stories. But no one in my family ever had anything as awesome as this:

I recall the many plant-related lessons I learned in my grandma’s herb house. this latticed structure was filled with hanging dried and living plants as well as pungent and savory smells from the many herbs hanging from the ceiling. The roof was no longer visible through the layers of vines that draped over its eaves to the ground. (3)

I love this connection between food and landscape, so obvious and yet I had not quite seen it in this way before.

…because so much of the food we are discussing in this book comes directly from the land, food landscapes remain intact when old recipes are regenerated. The food itself, and the landscapes from which it emerges, remembers how it should be cooked. This can happen because the food itself activates in us an encoded memory that reminds us how to grow, collect and prepare the food. (9)

Thinking about what our food teaches us about our landscape…well. I have learned a lot through my short time on smallholdings, through growing up in the desert, but I don’t know enough.

An essential lesson for us, as we continue on our current self-destructive path of monocropping, genetically modifying our food using artificial irrigation, and overfertilizing, will be to relearn how to cook our landscapes: the manner in which we sustainably steward our food crops, relying on a process that began in our home kitchens. (10)

It is not just loss of knowledge through city living or supermarkets, I think of Vandana Shiva writing about just how much the proponents of monocropping have actively destroyed. Yet there is so much happening that gives me hope. Like Emigdio Ballon, come from the highlands of Bolivia to Tesuque Pueblo of New Mexico. Working now with the Pueblo to grow fruit trees and beans, and maintaining a seed bank of heirloom crops.

I think too of settler and scientist arrogance, the kind that has driven unsustainable agricultural practices through the fields and lives of small farmers on the land for generations. Not seeing the complex systems these farmers were often embedded within:

For the longest time, the conservation and environmental movement had assumed that the human-environment equation would always result negatively for the land…until recently, researchers had not considered the possibility that humans could actually enhance their landscapes; that human communities might actually play a role in enhancing diversity; or that humans could be a keystone species of some ecological systems. (75)

In southern Arizona the Hohokam are everywhere, I remember hearing stories, imagining their presence across the land. There is a chapter on the Sonora desert and this:

The word Hohokam from the Pima language — always translated as ‘”those who have gone,” or “those who have vanished.” Archaeologist Emil Haury, who has studied the Hohokam, provided a more literal translation of “all used up.” (82)

Damn.

Up near Phoenix, along the salt river, they built extensive irrigation systems. Left them. Salmón writes that this is possibly because they became salinized, silted up. Instead of upping the ante, the people returned to a simpler agricultural system, one that was more beneficial to their landscape and more sustainable over the years.

Damn. I can’t imagine that conversation, our current reality is worlds removed from that kind of thinking. Perhaps this is a great part of the problem. One other thing I never have experienced, but so want to:

The diversity of the Sonora Desert seems more obvious the farther one travels through its namesake Mexican state. (128)

There are lots of stories here of the Colorado plateau, the fields in canyons and along washes hidden from sight — oh, I wished so much we caught just a glimpse. He writes of Peabody Coal’s draining of the aquifer and the drying up of springs. An enterprise bringing death to extract energy, destroying place to facilitate movement. A mindset alien to the people here, and to me. I loved the description of a concept from Juan Estevan Arellano:

Hispano querencia: that which affords his people a sense of place. Querencia is also simply the love for the land and place. (118)

Salmón continues:

To Hispanos, querencia is a blend of mental spaces not only involving bioregionalism but also including emotional, spiritual, cultural and ecological health. When people think of land the concept is enmeshed with notions of cultural memory. These and other mental spaces merge into a multidimensional blended space… (118)

This is the space of resilience, of community, of words. The thing evoked so powerfully in Jimmy Santiago Baca’s poetry describing these same places. It is strange finding the language of development I am so familiar with rewritten, recoded in this way:

Story is at the core of community resilience. It comprises the matter, substance, and adhesive of human capital. Stories communicate our values through the language of our heart and our emotions. Stories are what we feel. In northern New Mexico, enough of the viable land remains in which the story of querencia can be housed. (121)

More ways to reframe development debates, from The Declaration of Seed Sovereignty that came out of the Traditional Agriculture Conference held March 10-11, 2006 in Alcalde, New Mexico:

Sustainable stewardship and cultural resilience are neither decisions nor rights. Nowhere in the Declaration of Seed Sovereignty does the notion or term of rights arise. Instead, the associations conferred to include in their “living document” concepts of relationships, generational memory, embodied practices, spirituality, caring, respect, traditions, and celebration when declaring their revival and survival of their way of life. Together, these concepts reflect identity connected to responsibility towards one’s place in a community within a landscape. (150)

Everything is relational and connected.

Salmón, Enrique (2012) Eating the Landscape: American Indian Stories of Food, Identity and Resilience. Tucson: University of Arizona Press.

Navajo Nation to Aztec Ruins, New Mexico

Before leaving Tuba City, we went to the museum right next to our hotel, one of my favourite stops on this trip.

Navajo Interactive Museum

The Navajo Interactive Museum shares some of the Navajo’s own history. It is the first place I have ever been that does not try to whitewash the history of conquest. It does not shy away from how people were killed, enslaved. It tells of the forced march, relocation, return. The immense loss. Grief. It shows how much has been saved, how custom and belief are not things of the past but of the present. It shared versions of the creation. Methods of weaving, the sheep that are the sources of wool. The building of hogans and some of their spiritual meanings. It is divided by the four directions, reclaims history for its own people, and offers it as a gift to us.

From one of the signs:

Indigenous languages are holistic, fluently expressing intrinsic human relationships with everything. Navajos believe that their language is a spiritual gift from the Holy People, for it connects them directly to the entire universe. It is a language of webs and motion, relationships and process, not of nouns and objectivity.

I have been thinking so much about language and patterns of thought, the limitations of science and how perhaps it is built into the English language itself. Spanish too, but just knowing two languages helps you understand language’s limits. There is still so much I cannot express, I wish that I had been honored to speak such an indigenous language. It is not hard to see why conquerors would work so hard to destroy language, it is so intertwined with culture, with worldview. It is always a place of strength and resistance.

Next door was a small museum in honour of the Navajo code talkers, the men who joined the US army and used their language to keep our transmissions from the Japanese. The whole text of the ‘Navajo Code Talkers Act‘ was on the wall, and it surprised me. I have put in bold the things I never though the U.S. government would say out loud, and we circle around language…

(1) On December 7, 1941, the Japanese Empire attacked Pearl Harbor and war was declared by Congress the following day.

(2) The military code, developed by the United States for transmitting messages, had been deciphered by the Japanese and a search by United States military intelligence was made to develop new means to counter the enemy.

(3) The United States Government called upon the Navajo Nation to support the military effort by recruiting and enlisting 29 Navajo men to serve as Marine Corps radio operators; the number of enlistees later increased to over 350.

(4) At the time, the Navajos were second-class citizens, and they were a people who were discouraged from using their own language.

(5) The Navajo Marine Corps radio operators, who became known as the Navajo Code Talkers, were used to develop a code using their language to communicate military messages in the Pacific.

(6) To the enemy’s frustration, the code developed by these Native Americans proved to be unbreakable and was used extensively throughout the Pacific theater.

(7) The Navajo language, discouraged in the past, was instrumental in developing the most significant and successful military code of the time. At Iwo Jima alone, the Navajo Code Talkers passed over 800 error-free messages in a 48-hour period.

(A) So successful were they, that military commanders credited the code with saving the lives of countless American soldiers and the successful engagements of the United States in the battles of Guadalcanal, Tarawa, Saipan, Iwo Jima, and Okinawa;

(B) So successful were they, that some Code Talkers were guarded by fellow marines whose role was to kill them in case of imminent capture by the enemy; and

(C) So successful were they, that the code was kept secret for 23 years after the end of World War II.

(8) Following the conclusion of World War II, the Department of Defense maintained the secrecy of the Navajo code until it was declassified in 1968; only then did a realization of the sacrifice and valor of these brave Native Americans emerge from history.

I am unsure what the U.S. government has done since then to grant full, respectful, honoured citizenship or to encourage the speaking of indigenous languages, but I suppose medals were something. It would take a few years before other tribes were honoured for similar roles, the Comache and Choctaw among them, in WWI as well as WWII.

navajo_code_talkers_617_488We drove and drove, Northeast, out of the red rocks towards New Mexico. We passed Black Mesa, and the Peabody Company’s coal mine — another reminder of exploitation, another form of resource extraction.

EACH YEAR PEABODY COAL COMPANY PUMPS MORE THAN 4,500 ACRE-FEET OF PRISTINE NAVAJO AND HOPI DRINKING WATER FROM THE “N-AQUIFER.”

Peabody uses this pristine water supply simply to mix with crushed coal-called “slurry.” This “slurry” is then pumped through a pipeline over 275 miles to the Mohave Generating Station in Nevada.

With every breath we take, 50 gallons of pristine ground water has just been pumped from the dry lands of northeastern Arizona. On Black Mesa, home to the Hopi and Navajo people, more than 300 gallons of potential drinking water has, in the last 10 seconds just been mixed with crushed coal. In the time it took to read these sentences Peabody Coal Company pumps over a thousand gallons of the cleanest groundwater in North America, simply to transport coal. Today, Peabody Coal pumps more than 3,600 acre-feet (equivalent to 4,600 football fields, one foot deep) per year of pristine water from the Navajo Aquifer.

You can find out more on the Southwest Research and Information Centre site. These beautiful lands are also be exploited for their uranium, in summary of the report on uranium mining on the Navajo Nation from Brugge and Goble:

From World War II until 1971, the government was the sole purchaser of uranium ore in the United States. Uranium mining occurred mostly in the southwestern United States and drew many Native Americans and others into work in the mines and mills. Despite a long and well-developed understanding, based on the European experience earlier in the century, that uranium mining led to high rates of lung cancer, few protections were provided for US miners before 1962 and their adoption after that time was slow and incomplete. The resulting high rates of illness among miners led in 1990 to passage of the Radiation Exposure Compensation Act.

You can read and listen to more on Democracy Now’s program ‘A Slow Genocide of the People’.  Even now people gather to stand against another exploitation of the earth and threat of contamination for land and water — the North Dakota pipeline.

In North Dakota, indigenous activists are continuing to protest the proposed $3.8 billion Dakota Access pipeline, which they say would threaten to contaminate the Missouri River. More than a thousand indigenous activists from dozens of different tribes across the country have traveled to the Sacred Stone Spirit Camp, which was launched on April 1 by the Standing Rock Sioux Tribe.

I wish I could be there too. Instead I am here, writing. We drove onward. It looks pristine, but corporations are poisoning this land.

Road Trip Tuba City to Chama

Shiprock.

Road Trip Tuba City to Chama

Road Trip Tuba City to Chama

A sea of crushed metal, old cars left here.

Road Trip Tuba City to Chama

Up to the ‘Aztec’ ruins. Midway between Chaco and Mesa Verde, this was an incredible Anasazi construction, planned and for the most part built within a very short time. Labelled Aztec because that’s all people apparently knew of indigenous cultures building in stone, too ignorant or racist to ask its real name. The National Park Service did try to give a ‘balanced’ history, but such radically different ways of seeing the world sit uneasily next to each other. There could be nothing too critical of the role archeology has played in the mythologizing of western expansions, nor of those expansions, nor the disrespect of native histories. A disrespect that stems from their attempted destruction. But it was good to hear native voices here, and the contrasting ways of seeing.

Aztec Ruins

This is a place that feels good, a place left to the ancestors before white men arrived, like Chaco, like Mesa Verde.

It’s construction is beautiful, full of details. The corner openings:

Aztec Ruins

T-shaped doors

Aztec Ruins

Stones rolled smooth from the river

Aztec Ruins

And other bands of decoration:

Aztec Ruins

Aztec Ruins

Once standing three stories high

Aztec Ruins

This wall traces exactly the path followed by the sun during the summer solstice

Aztec Ruins

It is a beautiful place. To see with eyes open and with eyes closed. The ground story of storage rooms still stand

Aztec Ruins

Aztec Ruins

Aztec Ruins

They open into other rooms, a mat left behind is still here, hundreds of  years old.

Aztec Ruins

From archaeology we see the map of the whole. Almost all of it built between 1100 and 1130, which is amazing. Then slowly added to.

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This map shows its symmetries, though it cannot explain their meaning.

Aztec Ruins

They have reconstructed the great kiva here, I am not sure about entering such a place of ceremony without ceremony. Without invitation. So I didn’t take pictures, but I did give thanks to be there. With mum. They are wonderful sacred spaces.

Aztec Ruins

Several of them, along with the large central one, are surrounded by smaller rooms. I have never seen this before.

Aztec Ruins

I didn’t love the small museum as much as the one in Tuba City, but the pottery was beautiful (so much here, as in the other NPS museums, on loan from far away. Pottery and artifacts taken away as property by the institutions who sponsored digs, I do not understand how they do not see this as a living place to which things still belong). Apart from the maps of the place itself, the trade routes were also wonderful:

Aztec Ruins

From here we continued on and on, up to Chama. A good day.

Dinosaurs and the Martian Canals: From Tucson to Tuba City

Road trip! Day one, a long driving day to get up past the sprawling monster of Phoenix, up up to the top of our enormous state. This all used to be two lane highway when I was a kid, but it’s four to six now most of the way…and has traffic to fill it. If you build it bigger they will drive it say the planners, and they are right.

Tucson to Phoenix

I just realised there is almost no traffic in this picture. But honestly. It’s there. It is anything but carefree. I kind of admire the effort some planner put into this though:

Tucson to Phoenix

We put a lot of effort into destroying the desert too… sucking up the groundwater reservoirs to grow crops, leaving the rest of the valley dry as dust edged with an unbelievable green:

Tucson to Phoenix

Like the efforts of a corporate chain pretending they have any kind of authentic history, but without making too much of an effort:

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Enough of that kind of effort though. Getting up to Flagstaff, cooler air, and the Lowell Observatory, now that was amazing. Lowell — built in 1894 by millionaire Percival Lowell of the Lowell, Massachusetts mill owner Lowells. You know. Those fucking Lowells. Which makes this a place that combines a quixotic history with quite a lot of space-exploration awesomeness.

So…I was excited to come here because Lowell believed — and tried desperately hard to prove — that Mars was covered by immense canals being built by martians in an immense hurry to channel water from the poles to held save their dying civilization. That is my all-time favourite Mars theory, and yes, yes it was inspired by reading a lot of science fiction (it also inspired a lot of science fiction, as you can guess). But also because a famous Italian astronomer by the name of Schiaparelli wrote a book about the canali of Mars, which should simply have been translated as channels (natural), but were instead translated as canals. And Percival Lowell being one of those fucking Lowells and the guy who funded and ran the observatory, there was no one who could really budge him from that hobby horse. So he spent a lot of years working on these maps, drawing canals that no one else could see because they just weren’t there given the low resolution of the telescope.

lowell mars map2bI still love them. Especially as there are apparently three theories about where these lines actually came from. The first is — his own eyelashes. The second — shit, I have forgotten the second. The third — that he spent a lot of time staring into bright skies and he was actually seeing the patterns of his own retina reflected back the way you sometimes do when getting your eyes checked. That was my favourite.

But back then he had some credibility — this from the New York Times on August 27, 1911 (105 years ago yesterday! That’s a bit of a coincidence).

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The Clark observatory today:

Lowell Observatory

Inside it’s even better:

Lowell Observatory

Lowell Observatory

Lowell hired two guys to build this dome who had never built a dome before — and you can pretty much tell. But it works. It needs to move of course, so originally that dome sat on great castors and two men with ropes had to move it according to Lowell’s instructions. The next attempt was my favourite — to set it floating on a course of salt water (to prevent it from freezing). Our tour guide (who was awesome) noted that it worked great. For all of two hours. All kinds of things went wrong, some of the stains are still visible on the wood. So they went back to castors and two guys pulling it with ropes, but then the next director came along and had the bright idea of using tires. So it is now cushioned on original Ford 1957? steel rims and hubcaps — the tires themselves have to be replaced frequently given the weight of the dome.

Lowell Observatory

I haven’t even gotten to the more exciting parts, like the way Vesto Slipher (!) actually discovered from his observations here that the universe was expanding, though his measurements of the various spectrums of stars and the realisation that most of them were moving away from us. Spectrum analysis also proved that those spiral things people were seeing were actually entirely separate galaxies. This meant that universe was actually much bigger than just our galaxy. Imagine that jump when the two had always been conflated. Imagine how the universe expanded then (not literally you understand, but our understandings of it).

Vesto presented his findings and had astronomy’s first ever standing ovation in 1912 — in the audience sat the not-yet-Doctor Hubble, who would first try to put a number to the expanding universe.

Then in 1930, Clyde Tombaugh discovered Pluto.

That turned out trickier than expected of course, given it was not a planet at all, but still.

I loved the Rotunda too, though we didn’t get enough time here as we still had far to go.

Lowell Observatory

Inside we had a little fun with spectrum analysis ourselves. We got to wear glasses.

Lowell Observatory

And these simple and flimsy things revealed wonders when staring at tubes of neon or mercury. Not quite this good, but close enough. This is neon:

neon

We got a quick look at everything else…I wanted more time but we couldn’t wait until evening when they were opening it up fully.

Lowell Observatory

Lowell Observatory

From there we drove up to Tuba City…and a sign on the side of the road said dinosaur footprints and mom said ‘hell yes, let’s do it’ (or something to that effect). We had seen a dinosaur earlier of course:

Tucson to Phoenix Dinosaur

But look at these things, they are amazing…

Tuba City Dinosaur Footprints

I’m not sure I can say the same about this toenail polish which I bought on a crazed whim — I am never colour coordinated like this.

Tuba City Dinosaur Footprints

This place is one of my favourite in the world. Mum says it took her forever coming from England to get used to the space, it made her feel so small, so insignificant. Me, I feel like this space makes you humble and at the same time opens you up, gives you a spirit big enough to fill it. It makes me so happy to be back here again in the red rocks. Especially staring across an ancient seabed at dinosaur tracks.

Tuba City Dinosaur Footprints

Tuba City Dinosaur Footprints

Tuba City Dinosaur Footprints

Tuba City Dinosaur Footprints

Tuba City Dinosaur Footprints

Tuba City Dinosaur Footprints

Tuba City Dinosaur Footprints

We gave our guide and her partner a ride into Tuba City, it being the end of the day, and then found a hotel. An expensive hotel. Damn. But the Hogan Restaurant next door? The best waitress ever and they had mutton stew with frybread on the menu which probably gave mum more joy than anything else through the day — she grew up on that in postwar England don’t you know.

Hogan Cafe, Tuba City

Me, I had a cheese burger — on fry bread. Which was delicious but oh. my. god. Filling. I can’t tell you how filling. I could eat almost no fries, but that was probably a good thing. As it is, I feel I should run the first ten miles tomorrow alongside the car…

Tomorrow, Anasazi ruins! Chama! So exciting.

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Tucson’s Everyday Architecture

Tucson’s everyday architecture sprawls across the desert in dusty houses and apartments, it feels utterly different from anything on East Coast or Midwest U.S.A. As much as it feels utterly different from anything in Europe.

When I go home now, I am ever more struck by just how sprawling it is, how much space lies between homes, how many empty lots there are, how much unused land. How small and boxy the houses are, yet how I like those better than newer developments — they are not pictured here because we only drove past them, tracts and tracts and tracts of them where houses never where before. Huge boxy houses that fill as much of the lot as they can manage.

I am struck by how in older neighbourhoods, so many of the newer houses look more like bunkers than anything. How much colour improves things, but can’t improve everything. How much I hate the fake look of expensive corrugated iron and false painted gaps in the plaster showing false adobe bricks. People trying desperately hard to make their boxes interesting, but doing it in a way that shares a terribly kitsch vision of the Southwest and a terrible sameness. Like the vigas that emerge from both sides of the house so you know half at least are false beams and carry no weight.

Everything false in its conformity to some southwestern idiom, a moving target from howling coyotes with neckerchiefs to kokopellis to the next culturally appropriated fashion that lies in wait. I don’t know what that means for us.

Strange too, just how many mobile homes will never again be mobile, despite the themes of wolves running wild, freedom. How lots with 5 to 20 of them have become housing integrated with all the other kinds of housing, a regular patchwork. I never much questioned mobile home parks further out in the desert where I used to live, or those lonely settlers perched in areas without services. But here in mid-city, how exactly did it happen here?

It struck me how streets look so much the same, one after the other. They are charmless really, and this is how we have chosen to build them. Charmless as a whole, but at the same time in my mother’s neighbourhood between Pima and Speedway, Swan and Columbus, there are some wonderful old houses you know people constructed themselves when this land was first subdivided, their uniqueness invisible unless you look hard. There are even a few lots here and there filled with almost natural desert where the old house is hidden somewhere back there behind it all. If you want the real, it is old faded wood with paint peeling, tiny houses with their big porches often screened in, dusty collections of assorted junk in the yard. Probably they were here before anyone else, definitely here before air conditioning. Back when porches were essential things. These lots stand as they were, refusing to believe the city has grown around them.

I love that kind of stubbornness.

I didn’t take pictures of all or even most of it, I didn’t quite know how. And some of these are from up along the Rillito where Columbus dead ends into it…the rich people’s homes conquering the hills, but an awesome old round stone house sits up there too. It’s not as fun taking pictures of what is resolutely non-picturesque, but I am going to try it more often, try harder. How else to capture the meaning of a place, this everyday dust and space that sits alongside all those beautiful things that people are proud of here, the gracious and historic buildings, the places we go to wonder or to relax. The desert. Yet none of this compares to the desert, and I am sad to think that this sprawl of wood and brick and purple-painted bunkers is what destroyed so much of it.

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The Chiricahuas in the Clouds

The Triangle T ranch looks pretty good in the daylight, and it’s cool to walk in the footsteps of Glenn Ford — here’s part of the set from 3:10 to Yuma:

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We drove down Dragoon Rd to the mountains, had to pull over between the stalked rubble of harvested corn fields filled with hundreds of Sandhill cranes. I have never seen anything like them, beautiful and all massed together in mid-migration, their backdrop the waste produced by human need for energy. I wanted my canon SLR more than anything, but didn’t have it, so this is as good as the pictures get.

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Despite the sunshine, a handful of low clouds gathered along the Chiricahua mountains, and we drove up into them. Land of the standing-up rocks and of the Apache once, before white soldiers spilled their blood into the ground, stole this land. Stole these rocks, Rhyolite carved by ice and water into beauty.

These are taken from the Echo Canyon trail, which was unforgettable and I cannot believe we have never done it before…

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A climb through the grotto…

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…then down through a land of wonder.

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Down a passageway that almost looks like cut stone and out again…

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leaving the cloud for the sun (rather than the cloud leaving us, as Mark first thought — I’m usually the one to say things like that).

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Down into the valley and looking back out where we had come from and where we would return…

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Then around to look deeper into the Chiricahuas, and loop back around to the car.

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From sun to cloud and ice.

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The day didn’t quite end there, but this post is.

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Sonoran Desert Easter

Easter was one of my favourite days, a day to celebrate Spring and Handel on KCET and Easter baskets full of candy. I didn’t even mind church, it would smell like wax and masses of Easter lilies and the sermon would be about love and joyfulness and life and the hymns would be some of my favourites. Then home and an ever more challenging hunt for Easter Eggs and later a feast of a dinner…

But early Easter morning was mine and clear and bright and full of promise and I would wander out in my shabby old robe to pick flowers for the table and Spring in the Sonoran Desert is extraordinary though I think many people never see it. I love England’s banks of daffodils and masses of bulbs, but miss the more secret, delicate beauty of flowers that bloom amongst the rocks and gravel.

Penstemons:

Penstemons

And Phacelias, these do often grow in banks of glorious blue:

Phacelia

The queen of desert flowers because they are more rare and the colour of cobalt, larkspur:

Larkspur

Globemallows, these grow everywhere, especially in old lots throughout the city, thriving where nothing else seems to grow:

globemallows

Fiddleneck — but those little hairs along the stems hurt your hands, so I often left them out:

butterfly and fiddleneck

Desert Sage:

sage

sage

California poppies:

poppies

There were other poppies, tall and pale yellow and also rare. Desert honeysuckle:

trumpet flowers

Eriatrum Difussum or miniature woolystar — these carpeted the hill behind my house along with monoptilon bellioides:

Eriastrum Diffusum or Miniature Woolystar

monoptilon bellioides or Mojave Desertstar

Erigeron divergens:

Erigeron Divergens or Spreading Fleabane

Wild onion:

wild onion

Desert lupins (but is that what we called them or what they really are?)

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Fairydusters:

fairyduster

Not all of these went into the bouquets of course, clutched in my little hands and lovingly arranged. And there are a number that are missing from those recovered in this March expedition, like desert chicory. I took all of these pictures in the Spring of 2009, I can’t remember why I was in Tucson but it was the last Spring spent with my dad.

Funny that I was born on Easter Sunday, so I remember we used to treat it as more of a birthday than the day I was actually born, though I think that stopped when I was quite little. My dad died on Easter Sunday the year after I took these. I can’t decide now if it is a day too overburdened by significance, or good that life and death should all be wrapped up like this. It is not my decision anyway.

New-58a

New-72

I am often sad, however, that I am not still running around the desert in my sandals and faded blue dress.

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Apacheland

`My last set of pictures and post from Arizona…just a few days wandering yields so much. After reading Orientalism I know when writing about an old movie set I should do something more thoughtful about Westerns and representation and how I sit in relationship to the myths of the West and its occupants. But this won’t really be it, just a quick beginning.

In my youth I refused to watch most Westerns at all, especially after the first time I realised a white dude had actually painted himself brown and was pretending to be an Indian. That was a moment of pure WTF. I sided with the Indians and Mexicans and I knew in advance they always lost. I hated that male violence was always so stupidly extreme and defined everything, as women fluttered around them like anachronistically clean and well-fed butterflies. We did, I confess, watch a lot of Bonanza, but I thought John Wayne was an asshole and wanted no part of anything that made him look like a hero.

I still think John Wayne is an asshole. That’s why I now like The Searchers so much.

Now that I have left the desert, I yearn to catch site of it in the multitude of films shot in the very same hills to the SW of Tucson where I grew up. Along familiar trails even. But there are more reasons than that to like James Stewart in Winchester ’73.

Tucson never appears at all in the TV show Maverick, but James Garner cheers me up just to look at him. Nichols may be even better, I’m just sad that the Rockford Files aren’t filmed in Tucson too. L.A. is overrepresented.

I’ll stop listing the Westerns worth watching because I will leave things out (like Lee Marvin! Cat Ballou!) But what is fascinating is the way that the the manufacturing of the Western myth in movies left a trail all across the South West in the form of movie sets and theme parks that sit oddly with the detritus of mining and cattle ranching that actually marks the passing of the old west.

One I had never heard of, next to the Superstitions just south of Apache Junction, is Apacheland (APACHELAND since 1959, is a registered trademark of Apacheland Movie Ranch © 2014).

The name itself is after the Apache trail, or Apache Junction perhaps. All of them together just serve as another expression of how white people have no shame at all at appropriating the names and cultures of those they have massacred and forced to leave the area entirely. And then made money making moving pictures about a rewritten version of that history.

This makes the use of the word ‘innocent’ in its own description a bit dubious:

Apacheland 1956-1959

From its innocent inception of a theme park and western movie studio in 1956 to its founding in 1959 as “The Western Movie Capital of the World,” this is the first chapter in a 55 year history of Apacheland Movie Ranch that covers Richard Boone, Ronald Reagan, Elvis Presley, John Wayne and Henry Fonda to name a few. Apacheland Days at its finest.

Apacheland

This was always meant to be a tourist destination, a show:
Apacheland

Sadly most of it burned down, so its relics have been picked up and moved to the Superstion Mountain Musuem:
Apacheland

Despite all of this, I get a little thrill knowing that these buildings have been the backdrop for the work of some of my favourite people:
Apacheland

Apacheland

Apacheland

I will include Elvis in that, here is the chapel from Charro!:

Apacheland

It is, of course, dedicated to Elvis. Vegas, eat your heart out.
Apacheland

It also contains some pictures of what Apacheland once looked like:
Apacheland

And then because this is indeed a mixture of the real and the unreal, they of course have my favourite exhibit in all western museums — the obligatory board of barbed wire:
Apacheland

Outside, and again outside of Hollywood all together, is this wonderful collection of old mining machinery, like the Cossack Stamp Mill, dragged here with love from Bland, NM and now being restored to working condition.
Apacheland

An old water drill:
Apacheland

And amazing bits of machinery rusting:
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Apacheland

Apacheland

Perhaps the most memorable exhibit is inside:

Superstition Mountain Museum
But to return to Hollywood, here is the monument to the wonderful Tom Mix, who died here in a car accident — much further down the highway, but it seemed to fit here:
Tom Mix Monument

And a monument to the leisure activities of many a good resident of Arizona. I miss it.
Tom Mix Monument

Apacheland Filmography

1956 Gunfight at the OK Corral – Burt Lancaster, Kirk Douglas

1960 Apache Trail Documentary – Documentary of Superstition Wilderness

1960 Have Gun, Will Travel – Richard Boone

1961 Bonanza – Lorne Greene,  Michael Landon, Dan Blocker

1961 Stagecoach West – Wayne Rogers, Robert Bray

1961 The Purple Hills – Gene Nelson, Kent Taylor

1961 The Broken Land – Jack Nicholson, Kent Taylor

1962 Showdown at Redrock – Frank Wilcox, Leland Wainscott

1964 Blood on the Arrow – Dale Robertson, Martha Hyer

1964 Arizona Raiders – Audie Murphy, Michael Dante

1965 Death Valley Days – Ronald Reagan

1965 General Motors – Lorne Greene

1966 Death Valley Days – Robert Taylor

1967 Ice Capades in the Desert – Carolyn O’Kelly, John Labrecque

1967 Pepsi’s ‘Girl on the Go’ – Corinne Calvet

1967 Dundee and the Culhane – Warren Oates, John Drew Barrymore

1967 Death Valley Days – Robert Taylor

1968 Hang Fire – Jerry Vance, Lindsay Crosby

1968 Charro! – Elvis Presley, Ina Balin

1968 Will Rogers Institute – John Wayne

1968 Death Valley Days – Robert Taylor

1969 Ballad of Cable Hogue – Jason Robards, Stella Stevens

1969 A Time for Dying – Audie Murphy, Richard Lapp

1971 Second Chance – Brian Keith, Rosie Grier

1972 Guns of a Stranger – Marty Robbins, Chill Wills

1976 The Haunted – Aldo Ray, Virginia Mayo

1977 Sweet Savage – Aldo Ray, Charles Samples

1977 Jacob and Jacob – Alan Hale, Jake Jacobs

1978 Blue Jay Summer – Ken McConnell, Teresa Jones

1983 The Gambler: The Adventure Continues – Kenny Rogers, Linda Evans

1994 Blind Justice – Armande Assante, Jack Black

1994 Playboy Goes West – Royce O’Donnell, Ed Birmingham, Hank Sheffer

1995 Ford Motor Company – Waylon Jennings

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