I loved this collection, loved it. Here are small snippets of just two passages that spoke to me this morning from longer poems, and a bit of Benjamin Zephaniah himself in full flow, because these are meant to be spoken, right? This is a battle cry for language as it is spoken, as it comes to us, as we live it and scream it. For poems that take a stand, speak to life, to reality, to global warming and bombings and arms dealing and police brutality and capitalism and politricks and punks fighting nazi skinheads. For being cold in this cold cold place. I didn’t include the amazing poem ‘The SUN’, I might be saving that for when I am really angry at some point in the future.
Me green poem
Everybody talking bout protecting the planet As if we just cum on it It hard fe understan it. Everybody talking bout de green revolution Protecting de children an fighting pollution But check — capitalism and greed as caused us to need Clear air to breathe, Yes When yu get hot under de collar Yu suddenly discover dat yu going green all over, Fe years Yu have been fighting wars an destroying de scene An now dat yu dying Yu start turn Green
Food is what we need, food is necessary, Mek me grow my food An dem can eat dem money *** Money made me gu out an rob Den it made me gu looking fe a job Money made de Nurse an de Doctor immigrate Money buys friends yu luv to hate Money made Slavery seem alright Money brought de Bible and de Bible shone de light, Victory to de penniless at grass roots sources Who have fe deal wid Market Forces, Dat paper giant called Market Forces
I know those adjectives don’t usually go together, but I stand by it. The first Saturday of February, there were no holiday hordes. There was almost no one there but for a couple of the beaches where absolutely everyone was out walking their dogs. That was quite glorious. But we walked past great mud flats and rickety ruined piers stretched out above the mud and the waves through woods and out past sand bay full of windswept grass with black feathered heads beyond which stand mysterious islands shrouded in the distant mist and a great city shining white on the far banks of the Severn (Cardiff). Out to Sand Point, the tail end of the Mendips forming sweeping coves and secluded rocky beaches. A defense installation, pill boxes, old boats beached high. Neolithic mounds. Walls built by prisoners of the Napoleonic war. The sky was blue above us scattered with clouds — except when it was all cloud, but this is England after all.
Above all there was room to expand, to breathe even as the wind did its best to take your breath away.
I have a new coat that actually keeps me warm. It has changed my life.
It was one of those Florida houses I find unsympathetic, all block tile, glass, terrazzo, aluminum. They have a surgical coldness. Each one seems to be merely some complex corridor arrangement, a going-through place, an entrance built to some place of a better warmth and privacy that was never constructed. When you pause in these rooms, you have the feeling you are waiting. You feel that a door will open and you will be summoned, and horrid things will happen to you before they let you go. You can not mark these houses with any homely flavor of living. When they are emptied after occupancy, they have the look of places where the blood has recently been washed away.
The yard was scrubby with dried weeds. (40)
MacDonald, John D. ( 1992)The Deep Blue Goodbye. London: Orion.
A biting cold, windy Saturday. We walked down through residential streets to Stockport to see the incredible hat museum. I have stared at Hat Museum written along the smoke stack from almost every train I have ridden to Manchester. I have thought everytime that I really did have to go. Finally we went, and to the old air raid shelters carved in Stockport’s red stand stone — how better to keep out of the weather?
Walking home from the Briton’s Protection through the darkness along the Manchester canal…it’s not late but there is no one here. The night still hides the brash and cheap ‘luxury’ buildings that line the waterway here. I walk and stare at the water reflecting lights and bricks, think simply how easy it would be to fall in. I am not drunk but jetlagged, only a few hours sleep, not much to eat…This would have been no place for me one hundred years ago, and I know how many secrets the canals hid.
I exult in walking, the darkness, the city, it wants to come pouring out in the form of the great modernist novel. But of course, we have left the modernist novel far behind. I can no longer write it. Ironic that now as a woman I can wander the darkness like James Joyce, Dylan Thomas (and it’s funny how they are always with me as I walk), but I can no longer push boundaries the way they did. The boundaries have been pushed, the novels written. The city they knew no longer exists.
I walk past Elizabeth Gaskell’s home, wonder who she might have been outside of the constrictions of her time and place. Wonder if she might have wandered the darkness, or wanted to. Wonder if she might have had less mawkish sentiment in her. The cemetery and what’s left of the church bombed out in WWII, her home, a handful of villas transformed into student flats are all that’s left really of what was here once. I am happy for the council housing, but these streets — Manchester is all wide streets, all cars, all noise. It is no longer for walkers, not like London. Almost no one walks in most of the city apart from the very centre, and on a Friday night…well. First time I came here myself was for a hen do with a bunch of girls from Glasgow. We trampled these canal pathways with stiletto heels and shrill drunken laughter. But honestly, perhaps I was closer to my great modernist novel then…
Just communities, just cities, Just connections between country and city. Also, the weird and wonderful.