After a brief and beautiful losing of ourselves, we arrived exactly where we had been going — a series of two ponds in the Lumsdale Valley created to power the mills below, a centre of industry for several hundred years.
This whole area just south of the Peak District is a centre of industry, the springboard for the industrial revolution — though you would never guess now.
Cottages stand where an old lead smelter once sat, along with a counting house and ore house, from 1749 through the 1780s. One of the mills is perhaps from the 1600s, and a cycle of uses, from saw mill to paint mill to spinning and bleach — all of it happened in this stretch of buildings.
Starting with the old saw mill and moving through the valley — it no longer felt so important to recognise old uses, try to understand old processes and imagine what this scene looked like several hundred years ago:
Instead I wished I looked upon it with a practiced eye, so the layers of meaning and history could be sifted, brought forward in turn to form a whole. At no point in this place do you want to treat it as a museum. We didn’t linger long at the informative boards, and I am glad they remain few.
An early bleach trough, where they bleached skeins of yarn (and I imagine how toxic it all was, continues to be though you would never now guess):
This is never how I once imagined sedate English woods.
An old square paint trough, I think, I am looking back now with charts at these pictures, they don’t quite match memory, but that is all right. To the left a tunnel that once led to a bridge across the stream. A curiosity now. A place to hide from other visitors and pretend they are not there.
We wandered down the valley through one building and then another, alongside the stream for a while and the series of waterfalls that once brought power. It is hard, now, for me to imagine waterfalls as useful.
The Bleach works, with an old millstone.
I left the valley sadly. From there we climbed and lost ourselves again briefly through poor walk instructions, then wandered along the curve of a hill to looking back over Matlock from another angle:
Finally arriving at Starkholmes, and a well earned meal. And a cat.
then back down the hill to the bus, through a gimlet of holiday makers enjoying Matlock Bath. The Paignton of the North. Which I might ignore, but the country’s first pleasure parks were there? I meant to look into that a little more…
We climbed stone stairs no one had tread regularly for a very long time…
we were off our path but we didn’t yet know it, because we were on someone’s path — though no one in the past few days perhaps. We followed faint traces to climb through heat and humidity, nettles and brambles stinging against our legs. Drawing blood. The valley opened up beneath us and we entered into pine forest — the first we had been in this trip.
A lovely, open pine forest scenting the air and full of light, not the close packed replacement and industrial forests. We had strayed from the way, but it didn’t matter because we found this.
A beautiful, eerie landscape
where stone-built walls and quarried stone faces mingled, all of it swallowed by moss and pine needles and trees so the natural world and the human one were almost indistinguishable.
Great slabs of stone, whether tumbled down or piled up almost impossible to tell, alongside great chimneys of rock.
Ferns of a green I still find hard to imagine, coming from the desert. The green of my dreams as a little girl.
Enormous mossy stones in piles
Sunlight streaming down through the trees, and everywhere a verdant landscape spilling across the distance. And us there, up above it in this place of human effort and labour swallowed up by the forest. This lonely place of memory now, and stillness.
Happy accident that brought us here. We followed this track back down the hill, and then found our way.
One of the best walks we’ve done in terms of things it threw up for further investigation, but I thought I’d start sharing the photographic journal of rambles through the wonderful English countryside made accessible through the networks of public ways. One of the things England should be proudest of, I think. We started in Pensford, it’s lovely:
An old orchard between fields, I love these reminders of how we live well on the land:
Then on the stone circles at Stanton Drew, a reminder of how long we have been here and of very different ways of being:
(and much more on these stone circles here). The old church
with the monastic farm next door recalling a different history in its glorious medieval windows
and reminders of what once was half buried in the graveyard soil:
These graves also quite fascinating, both in carving style, and in their poetry, which I confess to have only realised was there after reviewing my photos:
The masonic triangle being rather more arresting:
I love village post boxes:
winding paths through cathedraled ceilings of ancient trees:
Another medieval memory in the form of an old bridge
Trees that somehow remain standing when you can see through them
Amazing old oak trees:
Unexpected memories of home:
the excitement of climbing something as beautiful as this to see what is on the other side:
Phacelias (I think), which also unexpectedly reminded me of home:
We went on a brilliant walk last weekend, starting in Pensford, taking in the Stanton Drew Stone Circles and the village, and then along to Stanton Wick and Pensford Colliery and back down to where we had started.
It was strange to be so deeply affected by first ancient Neolithic ruins of life and worship, and then the modern ruins of coal mining. Everything about them is so different, and yet they share the Chew Valley and both stand as a record of the people who have lived here.
A brief history of the various historical monuments of the area can be found here, in the Banes placemaking plan.
The Old Colliery is now the only large scale remains of the 20th century mining industry in North Somerset.
We wandered into its ruins, trying to find the old public right of way down the hill our book insisted was there — as like its author we believe in standing firm on old rights of way. It is no longer accessible, but we found a footpath down the road beyond the piece of the colliery that is now a private residence, and it does join the old path the miners took as described in our old book.
This Colliery employed over 400 people.
There is a letter in The Bristol Post from Leon Thomas who once worked here as he studied, now a lecturer at University of Sydney, and then a professor of mining engineering in the University of New South Wales.
The carbide lamps show we were still a naked-light pit, and I recollect electric cap lamps came in for officials in about 1950 and the mine changed over to safety-lamp operation soon after. There had been an explosion at a naked-light pit in the North of England, and the NCB stopped all naked-light pits in the 1950s.
Pensford had just installed its first belt conveyor face in late 1949, and the signal whistle around the neck of the third person from the left in the front standing row was used by the puffler – face charge hand – to give stop/start signals for the belt, and to warn the colliers that it was starting. There has been an incredible increase in mechanisation since those days.
I remember the name of only two other people after this long period. Second and third from the right in the front row are the Packer brothers, reputedly the two highest-paid men in the pit. They worked as partners in a stall. The one on the left is Bill Packer, who worked in bare feet. There was no mandatory safety footwear in those days, or mandatory fibre helmets. Both Packer brothers are wearing the old canvas hats. Bill scavenged old boots out of the scrap heap in the pithead baths so that his toes would not get stamped on while waiting for the man-riding dolly cars or the cage. But he had worked at the face in bare feet since his youth at the Mells and Vobster pits with their very steep seams where bare toes could get a better grip on the timber props that were set almost like a ladder, and on the slippery floor. He was an inveterate gambler on horses but, to my recollection, not particularly successful.
I also remember him getting a bad gash on one of his shins, requiring three stitches after he had finished his shift, and he was back at work the following morning. He could not afford sick leave, with his numerous family and a bookmaker to support, and he was really tough. The photo was taken in front of the banksman’s cabin, alongside the downcast shaft. You can see on the wall the large bell that repeated the shaft winding signals.
Somerset archives contain some other real riches connected with the mining industry, but to return to the Banes placemaking plan, the mine was extensive, reaching:
towards Stanton Drew and Byemills, through to the Station Approach area of Pensford, to Publow Church, out to Lords Wood and included a drift mine at Common Wood, Hunstrete.
Old Colliery Buildings
The Old Colliery now comprises an extensive range of unusual redbrick buildings, including the former Winding Engine House (known as The Winding House), that has been converted as a private residence.
The remaining red brick buildings are standing redundant and comprise:
Larger road fronted building – known as The Power House (where electricity was generated prior to SWEB installing a substation)
Smaller road fronted building was the blacksmith workshops and stores for miners tools and other necessities.
Small building to rear of The Power House is the hauling engine house from which 2.5 miles of wire rope hauled the 500wt tubs between Pensford Colliery and Bromley Colliery along the tramway. Part of the tramway embankment wall and embankment have also survived.
The small single storey building (located in Filer’s Coaches yard) was the weighbridge, electricians’ workshop and small store.
On the opposite side of the road, the bath house has been rebuild, only a section of the rear wall remains as original, and was incorporated into the design.
The brick lined tunnel also remains, which miners walked to give them easy access to and from Pensford village.
Brick lined tunnel! We saw no hint of that. But we did find memories of an industrial past already being swallowed by the woods:
the old concrete stiles used by the miners
The memories of a community grown up around this industry, even if the coal and soot and steam are gone. The website does mention that a collection of stories and oral histories of the collieries are being collected, which would be a wonderful thing. Especially as all but a few marks of the jobs and the lives that shaped this place for so long have been erased, and a much wealthier group of people is clearly moving in to enjoy the newly verdant countryside:
I’ve always been a bit of a frustrated archeologist — it was a road started and then not taken. But my youth was full of books about Hittites and Ancient Egypt, watching Michael Faught examining arrowheads while babysitting us, volunteering at the museum in downtown Tucson putting storage pots together — but of course volunteering was not sustainable for a poor kid without a car. I got a minimum wage summer job and that was that.
There is such richness here, but not having a car (again the car) makes everything a little difficult. It was a bit of a surprise getting here on a lovely walk from Pensford, an easy bus ride from Bristol. It was in an old guide book (though surprisingly accurate and nicely sarcastic) and mentioned the neolithic stone circle as an aside only. Some extra scenery.
I have since looked up, only to find it is the third largest in the UK behind Stonehenge and Avesbury. In finding out more, there is the English Heritage site, but if you want the really detailed and juicy stuff, you can look at ‘Stanton Drew 2010’, a report by John Oswin and John Richards, of the Bath and Camerton Archaeological Society, and Richard Sermon, Archaeological Officer, Bath and North-East Somerset (BANES).
They include in their report an 1896 drawing done by Charles Dymond, a railway surveyor. Quite simply it is beautiful.
It shows the different circles as they relate to one another, along with ‘the cove’, a set of three more stones we stumbled across when we naturally paused at the pub, called the Druid’s Arms. These relationships are almost impossible to see from the ground, but here it all becomes a bit more clear:
With today’s technology, archeologists create maps like this one, showing how much more there is to this site than the eye can capture unaided:
But really, it was nice to discover for ourselves, to measure out the circle with our steps and let our fingers trace the stones. Then come home and add more layers on to that. Though I’d like to go back.
Oswin, Richards & Sermon write:
The visibility of the monument site at Stanton Drew from the surrounding countryside might have been an important factor in the location of the site. Higher ground surrounds the low ground of the River Chew basin where the stone circle site is situated and an approach from a low level would have meant that the site could not be seen, the seclusion giving a sense of privacy…Streams enter the main river here from Dundry and Norton Malreward to the north and from the Stanton Wick area to the south… During the Neolithic many sites were placed close to rivers, water sheds and water sources as can be seen at Stanton Drew.
We approached from the south, there is no real view of the water.
The stones from the beginning fascinated me, most of them in the great circle rusty red, pitted and starred with tiny crystals and geodes, festooned with spiderwebs and lichens.
They are Silicified Dolomitic Conglomerate of Triassic Age (circa 248–205 Ma). Oswin, Richards & Sermon write:
The rocks have a glassy, metallic appearance and feel and the surface has been described as pitted, pock-marked, frothy, knobbly and gnarly. There are abundant quartz geodes that make many of the stones sparkle, William Stukeley (cited in Lloyd Morgan 1887: 39) remarks that “it shines eminently and reflects the sunbeams with great lustre”. Quartz was a highly significant and regarded material in prehistory as indicated through its use in various monuments (Lewis n.d.). There are some silicified fossil fragments from the remains of limestone clasts within the conglomerate.
We found no fossils damnit! But the rock remains beautiful:
I took some uninspired pictures of the Oolitic Limestone, which I accidentally purged. I wanted to go back after reading this:
The surface of the blocks resembles a limestone pavement and there are numerous natural cup-shaped depressions and pits that partly fill with water. At many rock art sites flat slabs of stone are found that are open to the elements and after rain, any cup-and-ring marks fill with water; also rocks with natural cup marks are often utilised for the same effect. It could be that places where rocks ran with water or held water were culturally significant in many ways (Fowler and Cummings 2003: 10). It is possible that some of these limestone slabs at Stanton Drew were not intended to stand or were intended for use as capstones.
There was an interesting grouping inside the circle, being resolutely occupied by a middle-class family with no conception of sharing or situational awareness. We hovered for a while, but eventually moved on. We were paused in the middle of an eight+ mile walk after all.
The southwest circle has a very different feel, more elevated, the rocks much smaller.
The SSW Circle is situated in a more prominent position on a brow and commands a wider and more panoramic view of the surrounding countryside particularly when looking to the west along the valley towards the Severn Estuary where the high ground of Blackdown and the Mendip Hills is clearly visible. The different positioning of the SSW Circle might suggest a differing thought process or even a different period of construction.
I had a moment here reading this report — I realised apart from a simple fascination with a past so distant we can only barely imagine it I am also fascinated by something else, and this is part of it (though why this is a ‘new’ thing for archeologists is a bit bewildering):
Archaeologists are becoming increasingly aware that monuments help to shape the perception of landscape, possibly altering both the form and content of a landscape; helping to promote and create senses of time, place and notions of identity and belonging (Goldhahn 2008: 57). It is then feasible that monuments were constructed to occupy a permanent place in the landscape and were intended to exert an influence on any future occupants of that landscape.
Is that not what we do as planner, as activists, as community, as architects? So the question is what senses of time, place and belonging are created here, and what do we seek to create in our time? And how many ways is this contested, subverted? What brilliant imaginings this inspires. I am thinking. It makes me want to write, fiction is perhaps the best way to explore such thoughts.
The village of Stanton Drew is lovely, the cat was immensely friendly (joy), and the pub good.
I’m glad we stopped at the Druid’s Arms, driven by hunger and thirst but thus ensuring we did not miss the Cove somehow skipped by our guidebook, and the presence of what many argue are the remaining stones of a long barrow (the stones here are Dolomitic breccia by the way, different from the majority of the stones from the circles)
As we drank down a pint and ate lunch, this became the scene of prayer and grief by a circle of friends or possibly family, history a palimpsest perhaps. These stones still hold meaning.
I rather love the history of archeology itself, and the stories of myths and theories that arise around such sites, and how people’s treatment of them has changed over time, this report does not disappoint on that front, which is lovely.
The first mention of an archaeological find at Stanton Drew is by an anonymous source writing in 1666 or later: “… (a stone) being newly fallen, in the Pitt, in which it stood, were found the crumbes of a man’s bones, and a large horse-bell, with a skrew as the stemme of it” (Hearne 1725: 507). This is reminiscent of the discovery of the barber-surgeon’s remains under a stone at Avebury (Smith 1965: 177–8).
There have been changes to the stone circles in the last few centuries. Aubrey (Aubrey et al 1980: 47) wrote in 1664 that the villagers break the stones with sledges to get them out of the way, and he was told they were much diminished in the last few years. Later, the villagers would tell Seyer (1821) that a century earlier many stones were broken up to mend the roads. However, the villagers then seem to have decided to leave the stones alone, and Long (1858) said it did not appear that any stones had vanished since Stukeley’s visit in 1723. The John Woods, father and son, the Bath architects, visited the site (Wood 1749), (Wood 1765). John Wood, the son, claims to have carried out an accurate survey. His text does indeed support this, but his diagrams are fanciful, being aimed at proving his intent.
Our little guide book noted that the measurement of Wood’s Moon Crescent in Bath is based on that of the great circle.
Some stones were toppled deliberately. It seems this was also done at Avebury in medieval times and the stones left lying on the surface; other stones were buried in pits. The purpose cannot have been simply to clear the land for cultivation as it was not particularly effective, and it is assumed there was a superstitious motive (Smith 1965: 176, 179–80).
I’m glad something of them still survives, along with a version of the local superstition given by English Heritage:
The most persistent tale is that the stones are the petrified members of a wedding party and its musicians, lured by the Devil to celebrate on the Sabbath and thus being punished for their revels.
Which sounds like the myth that exists for every group of standing stones anywhere. Either villagers or priests or note-takers of history had very little imagination.
After lunch we walked off westward, along what the guidebook described as an ancient approach to the circles. Hard to know now, but I like to think it true:
We stayed a week in Liberec while my partner lectured at the
Technická univerzita v Liberci, getting the chance to visit Ještěd Tower, which I have already written about, but also see a bit of the countryside. The rolling hills of the north are simply beautiful, mist-filled, green. We rolled through them on our train on the way to Hodvokice, just as filled with beautiful craftsmanship as Prague really, and of the kind I like more as it not as cherubbed and otherwise statued. This house I fell in love with, it is one of the most beautiful things I’ve ever seen I think — the day was a terrible one for taking pictures however, so apologies:
The most stunning windows, and the detailing exquisite. The town’s wealth seemed to come from this factory — textiles perhaps, as Liberec? I am unsure, but it is also beautiful from the outside. Strange to stare at a factory and have not the slightest context for what it is, who works (or worked) there, what that is like.
I am, of course, obsessed by details and found some more door knobs for my collection:
There was also a wide use of tiles, as in much of Prague, and though some might have seen better days, they were still beautiful.
Just like the town itself.
Perhaps even more than in Prague — where beauty could possibly be seen as a project of Empire — I was so impressed by all that was functional yet exquisite:
Perhaps I shouldn’t have been surprised by the way that this craftsmanship seems to also fill the countryside — the antithesis of the hamlets of the Southwestern U.S. I know so well, which are always interesting but rarely beautiful and often creepy. But everything was well cared for and this kind of work very common:
We came to this beautiful old place as well, now tragically falling down.
We were walking up to Sychrov Castle, bought (as one of several) after the French Revolution by some aristocrats who had managed to keep most of their money. Their connections to the Bourbons fill the place through its decorations and carvings — and the carvings are exquisite. I didn’t take pictures inside, but here is a view of some of the details I did capture.
And a view of the castle as a whole — again, far removed from what an English castle looks like:
From the castle we walked down to another small village to catch the train back — you can wander over the tracks at will and the ‘industrial’ area alongside was very cool.
I know I have used the word beautiful far too much, but that is what the country is.
Just communities, just cities, Just connections between country and city. Also, the weird and wonderful.