Cosmonauts was an exhibit of utter wonder and delight — who has not dreamed of space? You go from room to room, mouth dropping open and eyes sparkling like a kid on Christmas day. I kid you not.
I am still sparkling just a little. I mean, space. Human beings in space. Amazing.
It opens with some of the early work, the early imaginings tied to the early tinkerings with rockets that led to the full space programme. I wish this section had been longer to be honest. There is work from architecture student Georgii Krutikov, his designs for a flying city from his thesis in 1928 (to read more see the awesome charnel house blog):
Even better than Constant, how have I never seen them before? These were only a taste of the brilliant drawings, more of which can be found in his portfolio:
Tsiolkovsky and Federov’s works and words, and the role of the cosmists (cosmopolitans, cosmopolity) appear too. From the Cosmonauts exhibition website:
Cosmopolity’s formation had been foreshadowed in the opening decades of the 20th century by the emergence of cosmism, a philosophy developed by Russian thinkers including Tsiolkovsky and Nikolai Fedorov that contributed to a notion that the Soviets were masters of the cosmos.The members of Cosmopolity were sympathetic to cosmism’s goals of populating the universe and achieving eternal life, and shared its dream of distant planets populated by new societies. Eager to communicate their vision of the future to the wider world, they requisitioned a shop in Moscow and staged the first ever space travel exhibition.
Konstantin Tsiolokovsky’s ‘Album of cosmic journeys’, mathematical equations and rocket models, these dreams and writings and experimentations would push forward space travel — so on to the model of Sputnik, launched in 1957, the craft of Yuri Gargarin, launched into space on 12 April, 1961 and the first man to orbit the earth in Vostok 1.
Valentina Tereshkova, the first woman ‘to storm outer space’ in Vostok 6 in 1963.
Alexei Leonov, the first man to walk in space, traveling in Voskhod 2 in 1965. The machinery of space travel, impossibly solid, and anything but futuristic or rocket shaped or even vaguely aerodynamic with its bits and pieces of receiving equipment sticking out, is breathtaking. The models are brilliant, but it strikes you with awe to see the awkward pods barely big enough to carry a human being, scorched and stained with travel distances more vast than I can really imagine.
Up, pup and away
And then there are the dogs. This is the Science Museum’s puntastic heading, and finding it on their website made my day today. That, despite the fact that a number of dogs were killed as the next sentence informs you. But before Yuri Gargarin went into orbit, 48 dogs had already been there before him, 28 of whom survived. They had this:
Film footage of a dog being released from this contraption and frolicking happily, pictures of dogs, stories of selections of dogs… Aw.
This is the first time I have really felt any desire to go back and see an exhibition again…but the book is fabulous and will be read with enthusiasm.You are drawn irresistibly to the great objects that carried dogs and humans into space and back again, first the ones that shine, and then the ones dulled by the intensity of re-entry into our atmosphere. But there was so much more to see here, to think about, to be inspired by. And the occasional complexities added by pictures of Stalin, Khrushchev, a background of the politics of the cold war. The fascinating life histories of these pioneers. The work put into not just surviving in space but living in space, and making the Mir space station possible.
We saw it on Friday during the museum’s late night opening, a truly brilliant idea as too often in London, great exhibits are ruined by equally great crowds. As Cosmonauts was a truly brilliant exhibition.